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GRYPHON Red Queen To Gryphon Three reviews
Opening Move 9: Second Spasm 8: Lament Checkmate 9: Much recommended to anyone loving acoustic musicwith a severely different feel than your average prog album. Gryphon knocks 'em down for the count. Those guys are the crazyest perfectionists of the 70's. Such a level of song structure and complexity AND skillness has never been topped. Well, not in my humble knowledge. Nor Gentle Giant, Angalgard, Echolyn or even Yes cannot compete with the high craftyness of every song. Every song is 10 minutes long and could be splitted into 40 littles songs easily.
The pace is always changing, the tempo is jumping constantly from folk to soft rock. Folk prog has never been this challenging. Forget Jethro Tull or Amazing Blondel. This cannot be associated with anything you heard. Think very medieval and complex. Everest-like musicianship? Shouldn't you be mouth-watered by all those qualities? Yes, if sheperds in pantyhoses running happily on a green meadow is your cup of tea By the way, Yes fans should be pleased.
Did you know they did the first part of Yes on a full tour? Without the shadow of a doubt those a little bit stronger mp3 knew what they were doing and if not A freaking monster record, thick, for mature ears. Extremely complex music! The keyboards are excellent but they do not take all the room: No progressive groups has this unique style!
Probably, without a doubt their most Symphonic. Less Folk overtones, and complex at times Call me crazy, but I even hear some Mike Olfield mixed inn; however, bear in mind that this album was from A must for any prog lover, especially for those who are hunting for musical Gems for their collection. All the band members are consummate musicians, a little bit stronger mp3 the playing is faultless. It's quite a unique sound: Lest you feel this medieval influence would be too much to bear, we're not talking Greensleeves here.
It's definitely Progressive Rock, albeit using some unusual instruments and themes in places. For those who like electronic keyboards, there a little bit stronger mp3 several bursts of a little bit stronger mp3. All four tracks are good, each comprised of a variety of melodies, tempos and moods. I like very much the piano and tune in 'Opening Move', but 'Lament' is probably my favourite: Mind you, the second and fourth tracks are also showcases for Richard Harvey's recorder playing: This music works in two ways for me: I can listen to it intently or I can listen to it as background music.
There's plenty of complexity in the music, lots of changes in tune, mood, tempo and instruments to keep you interested, but without vocals I find it can still be quite relaxing in the background. Now, the fact that I completely forgot about the existence of the band and the album for nearly 30 years could be taken to mean that this a little bit stronger mp3 only deserves a 3-star rating Good, but non-essential.
However I did buy the album again after all those years, think it is well worth having and still enjoy listening to it very much. So I think it retrica for pc 4 stars Excellent addition to any prog rock collection. If you like not-too-heavy symphonic Progressive Rock then you should find this album not only eminently listenable but also interesting.
OK, so I'm exaggerating. But I rate it among the greatest prog albums ever, and that alone represents a leap of miraculous proportions. Perhaps inspired by Rick Wakeman, the multi-talented Harvey swapped his krumhorn for a battery of keyboards and led his bandmates to the promised land. Based loosely on a game of chess, Red Queen To Gryphon Three is a wholly instrumental work divided into four pieces ranging from 8 to 11 minutes long.
Opening Move is both otherworldly and regal, with a distinct sense of magic about it, as Harvey and co. Second Spasm harks back to Gryphon's Renaissance roots with some krumhorn OK, so Harvey didn't give it up completely and a lovely militaristic mid-section. Well, Lament is something else. It has at its core two absolutely sumptous woodwind melodies. As beautiful as the first one is, it is the second, tragic bassoon melody that both won, and broke, my heart.
Frankly, after the melody concludes I find myself just hanging on for dear life as Gryphon take flight, hoping against hope that I will hear it again. I don't. The blistering concluding segment is of course titled Checkmate, and really that says it all.
A mighty congregation of musicians firing on all a little bit stronger mp3, in a way that no other band seems to have done. That's life, after all. And Gryphon is not an exception. By the way, the structure and the conception of such video wonder girl like this dance practice concept album, completely instrumental arranged, a little bit stronger mp3 really awesome.
It could deserve its own place on the PA's top ten. Two impressive and elaborated tracks each side. It is lesser folkish than the previous works and more keyboard drenched. It was a very strange thing to find that "Opening Move" reminds me of Locanda delle Fate's album ! No other words to say about it: This album have 4 songs, all clocks in at minutes, but they're never boring.
The other two tracks on this album a little bit stronger mp3 nearly as good, but not quite up to pair with the two other ones. Still very good! It's highly interesting to hear such original and creative folk-prog like this. Slightly uneven, but highly recommended if you like folk-prog or prog generally. Give this one a listen!
My Rating: The chess game starts and you shall feel immersed into it; from "Opening Move", to the sweet tension in the players' concentration as portrayed in the initially cheerful "Second Spasm", to the more depressing yet beautiful "Lament", which builds the tension in the middle-end section until the coda suggests that the goal miles davis big fun blogspot er about to be fulfilled in "Checkmate"; the tension still prolonges as the winner proceeds to overthrow the opponent's king.
All in all, there's no fault in this album; the musicianship is quite obvious, the arrangements are as complex as you might expect and yet it won't be the most you can say about this album and this band. Honestly, until I spun it again this morning, I still don't get the idea what the band is trying to do, musically.
It sounds to me that the melody was not crafted beautifully. One thing for sure, conceptually this was created for depicting a chess match. Considering this intention, this might be enough to say that all emotions, conditions and situations pertaining to any chess match are described or represented here.
The next question is why must it be something as dark as this? Chess can be expressed in much more dynamic way by gearing a music which blends multitude of feelings: The problem with me is the composition of its music that sounds like disjointed parts. Oh yes, I agree that chess match creates emotional challenges to the player as every time we are challenged to decide the best move and anticipating what and how the enemy would react with our move.
This is what I clearly do not understand. I just want to make my point clear here. Yes, this is one of legendary albums of the 70s. Yes, it's definitely a prog album and it's not the bad one. The trouble I have is that I have to honest it's very hard for me to digest the music and for sure it's not the kind of music that fits my taste.
My standpoint here is based on my efforts to enjoy this album but failed to give good credits musically. It's so many disjointed parts that do not connect one another smoothly. So, I conclude that this is for those collectors who appreciate the uniqueness of this album. Therefore I give it a two stars rating for this.
Keep on proggin'.! The krumhorns are the signature to the album. I almost can't believe I'm saying that: But, hey I'm not 15, and even 30 seems a distant memory single Side A little bit stronger mp3 Lament is just beautiful. I really have to get a better stereo, and the LP is starting to look a bit warped these days.
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